Analyzing the spatial positioning of every element and instrument in a song through visual presenting is a valuable skill in music analysis. Mastering the placement of various elements in the sound field is crucial for mixing, especially in orchestral music where instrument placement holds particular significance. It’s not just about adjusting volume levels and achieving balance; it’s about shaping the stereo listening experience.
By examining the frequency distribution, sound positioning, and depth in songs of different genres, we can develop a basic understanding of mixing various styles. As it deviated from standard mixing, there wasn’t anything particularly noteworthy to reference in the song I analyzed. However, in some typical commercial tracks, visual analysis can serve as a reliable mixing reference, ensuring minimal errors or deviations. To approach such standards, we can adjust frequencies with EQ, adjust stereo placement, or use stereo widening plugins and etc.
Furthermore, studying the stereo image of reference mixes shows the balance between mono and stereo elements. Achieving a delicately balanced mix entails keeping mono-compatible elements centered while leveraging stereo effects for spatial enhancement.
In the song I examined, I have found some interesting point. Despite the chorus primarily featuring piano, bass, and vocals, the frequency spectrum remained rich, likely owing to the unique timbre of the virtual vocalist and effects processing. Additionally, there were occasional colorations switching between left and right channels, adding depth to the track’s sonic texture.
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